The current bizarre time-lock—of zany and destructive events, fake news and impotent, because always-belated incredulity, and punitive measures taken against the guardians of democracy, where making sense becomes an everyday struggle—is all […]
When the poet Christopher Soto, aka Loma, debuted their chapbook Sad Girl Poems (Sibling Rivalry Press, January 2016), they took it on what they called a “Tour to End Queer Youth Homelessness.” […]
Muhammad Zafzaf’s The Elusive Fox Moroccan literature written in Arabic has never made a name for itself outside of the Arab world. A rare exception would be Mohamed Choukri who owes his […]
John Lewis Gaddis, On Grand Strategy, New York, Penguin Press, 2018, xi-xiv, 368 pp. Both Mussolini and Hitler came to power in no small part because the fascist-conservative alliances on the right […]
At a time when the destructiveness of human beings, as a crudely unified force of nature, is bulldozed across the digital and analog spheres of life on Earth, Imagining Extinction (2016) challenges […]
In the August 14, 2016 edition of its Magazine, devoted to the theme of “Fractured Lands,” the New York Times achieved new depth and scope in the coverage of perhaps the signal […]
The Castle (Zamok, 1994) Cast Nikolai Stotsky – K., the surveyor Svetlana Pismichenko – Frieda (dubbed by Anzhelika Nevolina) Viktor Sukhorukov – Surveyor’s assistant Anvar Libabov – Surveyor’s assistant Igor Shibanov – […]
“That’s it. 1984 and 1Q84 are fundamentally the same in terms of how they work. If you don’t believe in the world, and if there is no love in it, then everything […]
Feedback is a weblog publication of Open Humanities Press, a community of critics dedicated to writing at the generative interfaces between established disciplinary, institutional, and social territories and protocols. The […]
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